Writing a Victorian Thriller

A few years ago I wrote the first story of a Victorian vigilante called William Quest, a gentleman adventurer with a swordstick who seeks to right wrongs and even up the injustices of society. That book was called The Shadow of William Quest. There have been two sequels so far – Deadly Quest and Dark Shadow. There’ll be a further William Quest adventure later in the year.

The whole project arose from my interest in the Victorian underworld.

I’d always wanted to write a novel that is part detective story, part thriller, and which hearkens back to the traditions of the Victorian Penny Dreadful tales and the Newgate Novel.

Many a Victorian writer wrote these popular tales, which were the staple fiction diet of the newly-literate classes in 19th century England. I’ve read a lot of them over the years. The best ones are fast-moving, often sinister and have lots of action. They are occasionally subversive, pricking at the mores of the day with often undiluted social criticisms.

Most of the writers are forgotten these days, but some went on to great heights. Even Charles Dickens used elements of the Newgate novel and the Penny Dreadful in Oliver Twist.

The first novel was set in London and Norfolk.  Deadly Quest is set entirely in London, mostly down by the River Thames. I tried to capture a real feeling of London in 1854. Fortunately, I’ve spent years studying Victorian social history – I did it as a minor subject in my university degree. I’ve devoted a lot of time since to an expanded study of the Victorian underworld, particularly as regards London. Dark Shadow moves away from London, taking Quest to the ancient city of York, which certainly had its dark side in Victorian times.

I’ve walked the streets and alleys used by my characters, by day and night. London has changed a great deal in 160 years, of course. York less so. Much of the London Victorian cityscape has been bombed or swept away by  developers. The London that is in my imagination is more real to me now than the modern city. There are traces of Quest’s London still to be seen, but they get fewer year by year…

Deadly Quest has scenes in a notorious rookery of the time called Jacob’s Island. A district of appalling poverty in Victorian times, Charles Dickens visited it with a police guard. It features in the climax of Oliver Twist. It was already partially demolished by the 1850s. The area was bombed by the Luftwaffe in the London Blitz. Redevelopment accounted for much of the rest. Today that once dreadful slum is a development of luxury flats. You can still visit Jacob’s Island, but it takes quite a leap of imagination to get back to Victorian times.

One problem I encountered in the sequels was that I revealed virtually the whole of Mr Quest’s back story in the first novel, explaining why he decided to take the law into his own hands, fighting for truth and justice and so on. In the new book we start with a completely clean slate.

In Dark Shadow, Quest is even working with the police, though he pursues the mystery in his own individual way. And at the end it becomes clear that Quest hasn’t sold out his own vigilante values.

It’s my intention to do a whole series of William Quest novels, though the original conception of a Victorian avenger has changed since the first book. The outsider now finds himself working on both sides of the law. This wasn’t unusual in Penny Dreadful novels of the Victorian Age, where the author often found his or her villain transformed into the hero.

With the creation of e-book and Indie-Publishing, writers are finding lots of new readers – a very similar situation to that experienced by Victorian Penny Dreadful writers. This new audience has appeared, eager for books. It seems to me that we should study the methods of the writers of Penny Dreadfuls and Pulp Fiction to cater for this expanding market.

They found a popularity after all, and created their own genres.

All of the William Quest books – and our other titles – are now available in paperback and as eBooks On Kindle. Click on the link below to order to see the John Bainbridge author page. 

And do please tell your friends and fellow readers about our books.



2 thoughts on “Writing a Victorian Thriller

  1. And you, sir, are a man after my own thinking….I have been looking at Lovecraft as an example of how to do things — writing your own personal best, publishing it where you can control quality, and making sure we surround ourselves with friendly support — all to figure out how to offer affordable fiction for public distribution…

    Liked by 1 person

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s